I was privileged to attend a private opening of Mr. Whitaker's new exhibition of odd socks at the Condor-Nazi Oildrums for Peace Exhibition Centre, Crouch End. Sadly, and wrongly in this reviewer's opinion, spurned by the critical establishment, Whitaker has ploughed his own furrow regardless, producing a consistent body of work that blends his own distictive style with the rhythms and textures learned in the early childhood he spent in Kenya. Whitaker is not an *easy* artist. There's a an air of
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