It's 1982, maybe 1983 - maybe later even than that, this moment lost in the fuzzy video rewind of time. I'm upstairs in my bedroom and I'm playing the tape of John Lennon's Plastic Ono Band LP that Alexa Kesseller has made for me on a 90 minute EMItape. I use the first track to practice my high-register, fullthroat singing technique, belting along with it, trying to ape Lennon's phrasing;
Mother,
You had me
But I never had you
I
Wanted you
You didn't want me
It's a heavy song.
So I
Just got to tell you
Goodbye,
Goodbye.
[he does a wonderful blue note arabesque that stretches the last 'bye' taut with emotion]
Father,
You left me
But I never left you
I
Needed you
You didn't need me
So I
I just got to tell you
Goodbye,
Goodbye.
Children,
Don't do
What I have done
I
Couldn't walk
And I tried to run
[the 'run' is screwed up in his throat, contorted into 5 or 6 syllables before he grunts the last bit out, like the last, obstinate cling-on of shit.]
So I just got to tell you
Goodbye,
Goodbye.
At this point, the stately tempo of Ringo's drumming breaks into step with Lennon's churchy piano cascades, tumbling along with the crecendoed mantra of pain he and I will squall out in unison to the fade:
Mama don't go,
Daddy come home
Mama Don't gooo-oh,
Daddy come ho-o-ome
Mama don't gooooooooo-ooohh
DAD-dy come ho-o-ome
Mama don't GOOOOOOOOOOOOOOOOOOOOOOOOO-OH
Daddy come Home.
[I really let go on this next one]
MAMA DON'T GOOOOOOOOOOOOOOOOOOOOOOOOO$$%%$$**&&&&&&&&!"**
DADDY COME At this point, I hear my father's key in the door.
"I'm home son," he announces, deadpan, to the stairwell.
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